Author: Maëlys McArdle

  • Dead Occupation Walking

    Dead Occupation Walking

    Software engineering will never fully disappear as a field, but we’re on the cusp of a vast permanent contraction of the workforce.

    I’ve been a professional software developer for eighteen years. In that time, one of the things I’ve learned is that unremarkable code is good code. As is following industry standards. Doing both reduces cognitive complexity which mitigates bugs, as well as eases onboarding and refactoring.

    In other words, exactly what AI is good at: being derivative.

    Another lesson is that it’s more productive not to reinvent the wheel, but only write what doesn’t yet exist: mostly glue code. Everything we do is to realise new features for a product faster and cheaper than competitors.

    That’s everything for market capture. Consumers don’t reward reliable products; because higher-quality means fewer features, higher cost, or taking longer. They instead spend their money on the product that has the features they want in a state that’s good enough today. Those of us who want bullet-proof products are in the minority.

    In this ecosystem, consumers tolerate outages because the competitors are either more pricey, or lack the features. Those companies that do enjoy this exclusivity can then leverage their position to take more shortcuts around quality – thus allowing for more features faster.

    This incentive structure makes AI’s major current downside, low-quality code, a non-issue. That slop still amounts to more features.

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  • Ceres

    This is a short story I had written in 2020. It’s in draft state, it was never published.

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  • Recent Works

    Recent Works

    Here’s a list of written works I’ve released in the past decade or so:

    Other projects are listed here. I’ve also written a number of articles.

  • A Useful Ghost

    A Useful Ghost

    A Useful Ghost is a 2025 Thai tragicomedy by Ratchapoom Boonbunchachoke.

    I went in expecting a comedy about how women are raised to please; what with the plot centering a wife’s ghost being trapped in a vacuum cleaner. I didn’t expect all that much from it.

    I vastly underestimated where this film would go.

    The film opens to a few laughs, but then explores themes of homophobic rejection, systems that pit people on the bottom against each other and the toll that it takes, corruption with a smile, and more yet. All the while mixing humour and heart in a way I hadn’t seen before.

    The easy laughs of the beginning give way to a Greek tragedy, before closing to a few gags. So tonally it was a bit abrupt but it largely succeeded in its commentary.

    I recommend this one.

  • Melania

    Melania

    I hate watched the Melania movie last night with my best friend. I thought it would be fun to roast together.

    The film is widely understood as a vehicle to bribe the Trump family by billionaire Jeff Bezos. His payment of $28M to the criminal family paid off; the billionaire’s company subsequently received a $7B tax break. The project was helmed by disgraced director and sexual predator Brett Ratner.

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